Control Room A
Studio A live room
Control Room B

Tomato Box

From nowhere comes the radically creative music of Tomato Box. (Madison Wisconsin, nowhere?) Yes Virginia, Madison Wisconsin is nowhere close to New York geographically (it’s not too long of a drive from Chicago, just pack some coins for the automated toll booths and some Old Style beer). But Wisconsin’s Tomato Box is all over Downtown sonically. <!--break--> Pairing a front line of marimba and saxophone, drummer Michael Brenneis’ compositions are simultaneously poised and free. They rewrite Gershwin’s “Rhapsody In Blue” on the track “South Dakota” with the eased introductory lines painting a relaxed vision. Brenneis blurs the space between sticks and hands, locomoting with brushes and soft rolls as saxophonist John Keech explores the lyrics. Things always seem to return to Geoff Brady’s marimba, an instrument not foreign to jazz, just one not featured so prominently. His mallets-to-wood place a strong identifiable stamp on this recording, signaling this new music to be bigger than jazz, or to be more specific, theirs is jazz that includes larger worlds (read non-Western sounds). On “Shake The Apparatus” the band creates a humming backdrop (almost a digeridoo sound) for the percussion discussions of leader Brenneis. They follow that with a sort of Steve Reich tribute on “Pockets Of Distorted Time” with the mechanical beats of a Reichian machine that deconstructs as entropy takes over.

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